French and Italian influence on Chaucer’s
works
Chaucer’s literary work is notable for its
range and diversity. His writings develop through his career from a period of
French influence in the late1360s. His early works are mainly based in the
French models, especially the Roman de la
Rose and the Poems of Guillaume de
Machaut. Besides a partial translation of the Roman de la Rose, Chaucer’s most important earlier work is an
allegorical lament, written in 1369, on the death of Blanche, wife of John of
Gaunt, titled Book of the Duchess. Another
book The ABC also shows the influence
of French poets.
A distinctive feature of Chaucer’s
literary work is that it appears to assimilate the Italian influence besides
French. Those works which are ascribed to the period 1372-80 are held to have
the Italian influence: The House of Fame,
Anelida and Arcite, early versions of the
Second Nun’s Tale and The Monk’s Tale, and some of the lyrics come under
this group. Major works of this period include The Parliament of Fowls, a prose translation of Bocthius’s De consolatione philosophiae and the
unfinished poem Legend of Good Women.
Heroic Couplet
Chaucer introduced
the heroic couplet in his poem, Legend of
Good Women, Chaucer has made a great contribution to the English verse. His
prose character, pervasive humour in which he himself appears as the butt of
his own jokes, have been imitated by many later poet but were never matched.
Chaucer’s greatest contribution to
English literature
Chaucer’s greatest contribution to
English literature is his use of English in writings poems when much court
poetry was still written in Anglo-Norman. Though his metrical technique was not
fully appreciated until the 18th century, owing to the change in the
language after 1400, his confidence in the language encouraged his followers
and imitators also to write in English and accelerated the transition from
French as the language of literature.
The most artistic work of Chaucer
The most mature artistic work of Chaucer are his Troilus and Criseyde, a great love poem
in which he perfected the seven line stanza later called” rhyme royal.
Ref: Atlantic
Companion To Literature In English
By Ed. Mohit K. Ray
0 Comments