Swift's style is of the plain and simple kind; free form all affection, and all superfluity; perspicuous, manly and pure.
He deplores the impurity, instability, and impermanence of English and aspires to arrest its obsolescence and purge it of corrupt words.
He prescribes standardization in spelling and punctuation.
He insists on simplicity and stylistic propriety, which he polices in his satiric invective against offending authors.
His arrangements are often loose and negligent.
In musical, elegant and figurative language, he is much inferior to Mr. Addison.
His manner of writing carries in it the character of one who rests altogether upon his sense, and aims at no more than giving his meaning in a clear and concise manner.
The disposition of circumstances in a sentence, such as serve to limit or to quality some assertion, or to denote time and place, there is a matter of nicety and it ought to be always held a rule, not to crowd such circumstances together, but rather to intermix them with more capital words, in such different parts of the sentence as can admit them naturally.
Swift's advocacy of a plain style in his didactic and satiric writings reflects a dominant cultural attitude to language and literary style.
Swift's exhortations can be paralleled in works from the mid -seventeenth century onward recommending a simple, straightforward plain style.
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